Silent
. Black and White . 85 minutes
Shochiku Kamata Studio
Written By
Noda Kogo
Cinematography
Mohara Hideo
Atsuta Yuharu
Cast
Egawa Uero (Horino Tetsuo)
Tanaka Kinuyo (Oshige)
Saito Tatsuo (Saiki Taichiro)
Takeda Haruo (Horino Kenzo)
Mizushima Ryotaro (Kanzo, the Uncle)
Ryu Chishu (Shimazaki)
Sakamoto Takeshi (College Janitor)
Iida Choko (Saiki's Mother)
Katsuragi Ayako (Mrs Yamamurai)
Date Satoko (Miss Yamamura)
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Synopsis
Four frat boys try out their cheating gambits
at exams, but their friendship is put to the test
when Horino inherits his late father's business
empire. The other three come groveling for jobs
and Horino helps them cheat at his company's recruitment
test. Horino rejects potential matches to court
Oshige, the waitress every student fancies. Thinking
that Horino is now above her, she has agreed to
marry the poor and wimpy Saiki. Saiki feels he
must give her up, but when Horino finds out, he
gives him a thrashing. The engaged couple marry
and go on a honeymoon with Horino's blessing.
Thoughts from Ozu
I made Where Now Are Dreams of Youth
during the interim of I was Born, But...,
when a child star's injury caused a temporary
interruption to the filming. The narrative resembles
(Ikeda's) Tadanao-kyo Gyojyok (The Deeds
of Tadanao-kyo). In these days, despite directing
four to five major productions, I didn't feel
too busy. Nowadays, I only make one film per year,
yet I feel I never have enough time.
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Background
The
26th film, shot from early September to early
October 1932.After the completion of I was
Born, But
Ozu started filming Until
the Day We Meet Again (Mate su hi made,
1932). This film depicts the story of a man who
is love with a prostitute. He is drafted, and
the plot develops around the human relation with
his father and his sister. Ozu challenged a new
genre, different from the films he had done until
then. For this reason, the shooting was done under
high tension, and as a result, the expenses were
far more than estimated. Therefore, it was decided
to make a quick, cheap film, and transfer the
extra money to Until the Day We Meet Again.
This cheap film was Where Now Are the Dreams
of Youth?. Therefore, Ozu and Nods considered
it best to apply the methods they had used before.
This film does not intend to develop new ideas
and does not show Ozu's active participation.
Noda Kogo wrote that he used the play Old Heidelberg
(Alt-Heidelberg) by Wilheim Meyer-Foerster
as a model, which was also made into a film by
Ernst Lubitsch, The Student Prince (1927).
(In Japan, this play was performed by Matsui Sumako,
Okada Yoshiko, and Murata Akiko on the stage).
This is a well known story about a student prince
and a girl working in a bakery. Probably to advance
the film quickly, Ozu used his forte, a student
comedy. For this reason many elements of Ozu's
previous comedies can be reviewed in Where
Now Are the Dreams of Youth? (the cheerleaders
at the beginning, the cheating at the exams, the
usual posters of foreign films, and the like.)
Although the protagonist lives in a mansion in
Kojimachi, and the bakery girl in an apartment,
they do not escape from the gravitational field
of students boardinghouses. Only Aoki (played
by Saito Tatsuo) escapes from this surrounding
- h live in a house in the suburbs. The character
of Seito's roles changed considerably between
the Days of Youth and I Flunked, But
and films like I Was Born, But
The deep feelings in Where Now Are the Dreams
of Youth? Are not expressed by the company
president (played by Egawa), but by Aoki. He was
not supposed to have a leading role in this film,
but finally he steals the show from the other
players. This shows that Ozu could not return
to the cheerful, carefree world of Days of
Youth and I Flunked, But
since
this world combined with the feelings expressed
in I Was Born, But
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