Silent
. Black and White . 96 minutes
Shochiku Kamata Studio
Written By
Shimizu Hiroshi
Ikeda Tadao
Cinematography
Mohara Hideo
Atsuta Yuharu
Cast
Takada Minoru (Koyama Kenji)
Kawasaki Hiroki (Sugimoto Yasue)
Matsuzono Nobuko (Sugimoto's Little Sister)
Suzuki Utako (Sugimoto Mother)
Yoshitani Hisao (Senko)
Mori Teruo (Gunpei)
Date Satoko (Chicko)
Sakamoto Takeshi (Ono)
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Synopsis
Koyama Kenji, nicknamed the Knife, is a smalltime
hood assisted by his cronies Senko, Gunpei and
girlfriend Chieko. One day, he spots the demure
Yasue coming out of a jewelry shop and courts
her. Meanwhile, Chieko tries to deliver Yasue
into the clutches of their sleazebag boss Ono.
Kenji rescues Yasue and goes straight. Chieko
and Gunpei try to drag him back into the criminal
world, and when he refuses, they turn him in to
the police. When the officers come for Ken and
Senko, Yasue promises to wait for them, so they
take cheerful strides to go to prison. After serving
their sentence, they return to the home to find
Yasue, her mother and sisters waiting for them.
Thoughts from Ozu
The story is about a delinquent who goes straight.
I credited Shimizu Hiroshi for the original story,
as I got the idea from him.
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Personal
Thoughts and Comments
Walk Cheerfully is uncharacteristically Ozu in
it's highly stylized, fast paced, and genre blending
approach. Ozu shares the writing credit with Japanese
filmmaker Hiroshi Shimizu, whom Ozu greatly admired
and admitted gave him the idea for the story.
Walk Cheerfully is a mix of genres (crime, drama,
comedy, romance) while recalling obvious inspirations
and references to Hollywood silent films. Stylistically,
much is unique from Ozu's definitive work, yet
there are still visual motifs and patterns that
are evident. However, here the compositions are
far more stylish then most of Ozu's work (even
in comparison to his silent films). The film takes
on multiple plot layers, but the focus is on Kenji,
a petty thief who decides to go straight after
he falls for a sweet woman (Yasue). Kenji's girlfriend
(in full femme fatale / Louis Brooks mode) tries
to lure him back into the life of crime, only
to turn on him and hand him over to the police.
Kenji "walks cheerfully" knowing that
Yasue, her mother, and her sister will be waiting
for him to return. Walk Cheerfully is not essential
Ozu, but it is an entertaining and kindhearted
film. One that is made in unexpected style and
pace- including a skillful execution in camera
movement and nourish devices that make it unique
from almost anything else Ozu made before or after.
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