Silent
. Black and White . 65 minutes
Shochiku Kamata Studio
Written By
Noda Kogo
Oscar Shisgall (novel)
Cinematography
Mohara Hideo
Atsuta Yuharu
Cast
Okada Tokihiko (Hashizume Shuji)
Yagumo Emiko (Mayumi)
Ichimura Mitsuko (Michiko)
Yamamoto Togo (Detective Kagawa)
Saito Tatso (Doctor)
Ryu Chishu (Policeman)
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Synopsis
To pay for his daughter Michiko's medical treatment,
artist Hashizume Shuji breaks into an office.
When the police arrive on the scene, he hops on
a taxi, not realizing that the driver is undercover
cop Kagawa. Meanwhile, the doctor tells Hashizume's
wife Mayumi that if Michiko survives the night,
the worst will be over. Kagawa appears to arrest
Hashizume, but Mayumi takes her husband's gun
and holds him captive, begging him to let her
husband keep watch over Michiko for one night.
The next morning, Mayumi tries to help her husband
slip away, but he returns to turn himself in.
Thoughts from Ozu
The script came from a translated novel published
in New Youth (Shin Seinen) Magazine. This is my
first experience of working with Okada Tokihiko.
Six of the film's seven reels depict action that
takes place on a single set. I lost so much sleep
over the continuity it was a labor of love, and
had great significance for me. Kido Shiro was
full of praise for it, and even urged me to go
take a break at a hot spring.
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Personal
Thoughts and Comments
That Night's Wife is a unique film from Ozu in
that it is a suspenseful crime thriller, yet it
stands among one of his most interesting silent
films in the way it emerges into a definitely
Ozu film. The simple story centers around an artist
who steals money and is chased down by a police
detective. When the detective arrives at his home,
he is held at gun point by the artists wife. The
film is reminiscent of a Hollywood thriller, but
the emotional and visual core is purely Ozu, particularly
the way the film is concentrates in family and
social troubles, as the penniless artists robs
the money to pay for medicine for his sick daughter.
That Night's Wife takes place almost entirely
within the apartment, and the mood is effectively
established as tense and claustrophobic. What
truly makes the film definitive Ozu is the rhythm,
captured by lyrical visual patterns. Here Ozu
uses expressive tracking shots as visual patterns,
as well as a specific use of hand expressions
to heighten the atmosphere and suspense. Ozu flawlessly
edits the visual patterns and motifs resulting
in a film that is at once tense, stunning, and
poetic. That Night's Wife is likely to be forgotten
among Ozu's more emotionally-driven silent films,
but it remains a truly fascinating work from the
master.
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