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GROUNDHOG
DAY
1993
- Harold Ramis
United States
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124
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Opening
Shot
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Time-lapse
images of clouds in the sky are shown over the opening titles
sequence as it transitions we hear a voice, "Somebody
asked me today, Phil if you could be anywhere, where would you
be?" The image then fades into a hand pointing over
a blue screen and as the camera pans back we establish that
this voice is from a weathermen describing the beautiful current
conditions in California before moving ton to the potential
snow storm prediction moving into his local area of Pittsburgh.
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The
Film
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Groundhog
Day truly is a timeless film. Beyond its comic hilarity (which
makes it one of the most endlessly funny comedies ever made),
as well as it insights of the human psyche, Groundhog Day has
been openly embraced by its spiritual importance. Religions
of all kinds see the film as a guidance of faith, and while
all of these may ring true, above all it is the transcendence
of the films incredible depth that makes it such a n enduring
timeless classic. On a very light-hearted level, Groundhog Day
is a film that works as a reflection of Buddhism. The beauty
of the film is the unconscious manner in which it goes about
a reflection of Buddhism (and/or any other religion). The best
representation is the films metaphor of samsara and the infinite
life or reincarnation. The main character (Phil Connors, played
to perfection by Bill Murray in one of the very greatest comedic
performances of all-time) wakes up every morning in the exact
same place and time. No matter what he does he can not escape,
and wakes the next day to the exact sample routine. Finding
himself trapped not only within the routine, but within himself,
Phil begins to grow. He begins to look past his personal desires
towards helping others. His selfish behavior and self-centered
attitude becomes more life-centered, and most importantly without
self-purpose or conscious effort. Phil breaks free from his
trapped personality, and thus he represents that of the sincere
bodhisattva (or an awaken-one). Phil does not just decide to
become a good person, but rather through the frustrations (and
the practice) of repeating the same day without escape, Phil
gains the wisdom of seeing himself and the moment as it is.
With honest respect and compassion of others, freedom is found!
To simplify this film on these terms would probably undermine
it's strengths as a truly wonderful and significant achievement.
However it does justify the profound beauty and message of compassion
and spiritual guidance which lies at the heart of Groundhog
Day. This is a film I continue to revisit and learn from.
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The
Filmmaker
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Harold
Ramis began working as an improvisational comedian on stage
before moving on television as co-writer and star of Second
City TV. In 1978 Ramis co-wrote his first film, the comedy hit
Animal House, which earned him a Writers Guild Award nomination.
Ramis continued writing some of the most beloved comedies of
the late 1970s and early 1980s including Meatballs (1979), Caddyshack
(1980), Stripes (1981), Vacation (1983), Ghostbusters (1984),
Back to School (1986). Caddyshack marked Ramis directorial debut
and he also directed Vacation, which spawned three sequels (all
of which Ramis did not write or direct). Ramis also gave memorable
performances in both Stripes and Ghostbusters, both of which
showed his great chemistry with comedian Bill Murray. This lead
to what I believe is the masterpiece of both Ramis writer-director
career and Murray's acting career, with 1993's Groundhog Day-
a film that is an immediate classic and one of the very greatest
comedies ever made. Unfortunately Murray and Ramis had some
issues while making the film and they've yet to work together
since. Ramis has occasionally worked on projects since be it
as director, writer, or actor (making memorable small appearances
in comedies like Knocked Up and Orange County). 1996's Multiplicity
is sort of an underrated achievement and his 1999 film Analyze
This was both a critical and box office success, paving the
way for a sequel in 2002 Analyze That, which was only a bit
better then his not horrible but not very good 2000 film Bedazzled.
It would be nice for both Murray and Ramis to reunite and capture
some of the comedic magic they had together.
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Images
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Resources
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trailer
(youtube) |
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