| - |
| 151 |
HOME
FROM THE SEA (1972, Yamada) |
176 |
LES
VAMPIRES (1915, Feuillade) |
| 152 |
IN
VANDA'S ROOM (2000, Costa) |
177 |
BABY
FACE (1933, Green) |
| 153 |
SPRING
IN A SMALL TOWN (1948, Mu) |
178 |
I'M
GOING HOME (2001, Oliveira) |
| 154 |
MODERN
ROMANCE (1981, Brooks) |
179 |
DON'T
LOOK NOW (1973, Roeg) |
| 155 |
KES
(1969, Loach) |
180 |
WHAT
EVER HAPPENED TO BABY JANE? (1962, Aldrich) |
| 156 |
ORDINARY
PEOPLE (1980, Redford) |
181 |
FIREWORKS
(1997, Kitano) |
| 157 |
MONSTERS,
INC. (2001, Docter / Silverman) |
182 |
INVASION
OF THE BODY SNATCHERS (1956, Siegel) |
| 158 |
HAROLD
AND MAUDE (1971, Ashby) |
183 |
EYES
WITHOUT A FACE (1960, Franju) |
| 159 |
LOVE
ME TONIGHT (1932, Mamoulian) |
184 |
METROPOLITAN
(1990, Stillman) |
| 160 |
THE
WIND (1928, Sjostrom) |
185 |
THE
HEARTBREAK KID (1972, May) |
| 161 |
HOUSE
OF GAMES (1987, Mamet) |
186 |
THE
FALL OF THE HOUSE OF USHER (1928, Epstein) |
| 162 |
PORT
OF SHADOWS (1938, Carne) |
187 |
LE
MILLION (1931, Clair) |
| 163 |
AUDITION
(1999, Miike) |
188 |
PICNIC
AT HANGING ROCK (1975, Weir) |
| 164 |
NOTHING
SACRED (1937, Wellman) |
189 |
THE
MAN WITH A MOVIE CAMERA (1929, Vertov) |
| 165 |
THE
SECOND CIRCLE (1990, Sokurov) |
190 |
HINDLE
WAKES (1927, Elvey) |
| 166 |
IN
AMERICA (2002, Sheridan) |
191 |
SALESMAN
(1968, Maysles) |
| 167 |
BLOW
OUT (1981, De Palma) |
192 |
TROPICAL
MALADY (2005, Weerasethakul) |
| 168 |
PAT
GARRETT AND BILLY THE KID (1973, Peckinpah) |
193 |
THE
GAY DIVORCEE (1934, Sandrich) |
| 169 |
THE
CONFORMIST (1970, Bertolucci) |
194 |
ELEPHANT
(2003, Van Sant) |
| 170 |
THE
UNFAITHFUL WIFE (1969, Chabrol) |
195 |
HIGH
NOON (1952, Zinnemann) |
| 171 |
IN
THE BEDROOM (2001, Field) |
196 |
THE
SHOOTING (1967, Hellman) |
| 172 |
Y
TUM MAMA TAMBIEN (2001, Cuaron) |
197 |
EUREKA
(2000, Aoyama) |
| 173 |
RAGING
BULL (1980, Scorsese) |
198 |
UNDERGROUND
(1995, Kusturica) |
| 174 |
HARMFUL
INSECT (2001, Shiota)
|
199 |
CONTACT
(1997, Zemeckis) |
| 175 |
LET
THE RIGHT ONE IN (2008, Alfredson) |
200 |
GUN
CRAZY (1950, Lewis) |
| <---
101-150 |
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